BIOGRAPHY – SUMMARY
YOSHINORI AKAZAWA (1971- ) : KYOTO-BASED CONTEMPORARY ARTIST
Ceramic, Sculpture, Nihonga (Japanese-style painting), Photography –
CV 2023 (PDF)
YOSHINORI AKAZAWA ROSEKI V
Yoshinori Akazawa was born in 1971 as the eldest son of the 4th Roseki Akazawa. He works and lives in Kyoto, Japan. From 1991 to 1995 he studied Japanese painting at Kyoto City University of Arts, from 1996 to 1997 he studied potter’s wheel and basic ceramic at Kyoto prefectural potter technological special school, and from 1997 to 1998 he studied specialize materials and glaze at the Kyoto Municipal Industrial research institute Industrial Technology Center, Ceramic course. He opened a class for teaching Japanese painting from 2001 to 2014. At the same time, he worked in pottery and produced ceramic works at the pottery studio of his father, Roseki Akazawa IV. Meanwhile, in 2005, he became a member of the Kyoto City University of Arts K.C.U.A/Art Education Society, became an officer of the Kyoto branch. In 2012, he served as a part-time lecturer at the Department of Ceramics at Kyoto City University of Arts, giving practical guidance and slide lectures on Kochi ware techniques. In 2020, he became a Member of Kyoto traditional ceramic artist association. In 2021, he succeeded to Roseki AKAZAWA, the 5th. In 2022, he became a Member of Kyoto Kogei association.
Since visiting Shanghai, China in 1992 as a student, he has visited museums and ruins in India, Thailand, Nepal, Taiwan, London, and Paris. Afterwards, he traveled to Egypt, Switzerland, France, Italy, Monaco, Turkey, Austria, Spain, and Tunisia for research purposes and to participate in international ceramic art exhibitions. His interest in multiple languages may be due to his high IQ. In 2019, he was elected as a member of Mensa Japan. He studied English as his first foreign language until university in Japan. In addition, he took a short course at the British council’s Kyoto branch. He studied French for two years and German for one year at university. He took a short course in French at the Kyoto branch of the French government’s Maison franco-japonaise.
Since the 1990s, he has regularly exhibited at solo exhibitions, group exhibitions, and competitions both in Japan and abroad. His works are included in museums and galleries in Japan and abroad.
A ‘Thinker in Space’
The artist, AKAZAWA Yoshinori, transcends genres, being active in ceramics, nihonga-style painting and photography, both here in Japan and abroad. Born into a family of Kyōyaki potters famous for its Kōchi-ware (Cochin-ware) ceramics, he discovered an affinity existed between the nihonga-style of painting that he studied in university, the beauty of mosaic patterns and the materials used in Kōchi-ware, so he set about combining these various elements in his creative works.
It would appear that many potters specialize in subjects other than ceramics, such as nihonga-style painting or sculpture, while they are in university, but very few of them appear to continue in these fields once they return home to their family businesses. Looked at historically, Kyoto is a place where people and culture are forever coming and going, many famous artisans producing works that surpass the boundaries of their particular field, or entering their field from another type of business. This can be said to also apply to AKAZAWA Yoshinori, who is active simultaneously in more than one field, working positively to break out onto the world stage while creating revolutionary new forms of Kōchi-ware and we look forward to seeing his future development.
This exhibition will feature works that have returned to Japan from open exhibitions abroad. In other words, it will provide the opportunity to see works selected by various people possessing differing aesthetics and values, all in one place. These works, which are a result of combining traditional Kōchi-ware techniques with inspiration acquired overseas, allow us a glimpse of the artist, others, the passage of time and the relationships that exist between different countries. The artist describes this sense, which surpasses time and space, as being that of a ‘thinker in space’, and we have used this as the title for the exhibition. We hope that this exhibition will serve to bring further innovation to the field of Kyōyaki ceramics.
Kyoto Ceramic Center
Yoshinori Akazawa is a Japanese artist.
He was born in 1971 in Japan.
In 1995, He graduated with a BFA in Japanese painting (Nihonga) from Kyoto City University of Arts (Faculty of Fine Arts).
In 1997, he graduated from Kyoto prefectural technological school in Pottery. Following which, in 1998, he graduated from the Ceramics course from Kyoto municipal industrial research institute. His artistic expression ranges from painting to ceramic sculptures.
The basis of his art is inspired and sketched from Nature- the colours, atmosphere, form, and balance.
“In all of my creative work, I emulate Nature, and creative works become and take on a “Natural form”.
Already recognized and widely exhibited in Japan, Akazawa’s works are also gathering fans internationally. His powerful work, People’s Night and Moon (1993) was chosen to grace the cover of Dr. Carone’s Plato’s Cosmology and Its Ethical Dimensions.
On the work, Dr. Carone said,
“I was very struck by the intensity and depth of the painting. It seemed to capture the cosmic dimension and its integration with the human sphere very powerfully. That is why I chose it as a cover of my book: ‘Plato’s Cosmology and Its Ethical Dimensions’. Gabriela Carone”
In addition to his success as a Nihonga painter, Akazawa’s ceramic sculptures are also appreciated with the same fanfare. His ceramic works have been exhibited in Italy, Austria, Spain and Japan and are collected by the Museum of International Ceramics of Faenza, Italy, and KUZ/Kapfenberg Museum, Austria.
Eve Loh Kazuhara
A Gentleman in Kyoto– Akazawa Yoshinori 赤沢嘉則
My first impression of Akazawa was that he was very modest and gentle. When I met him at his atelier in Kyoto, he spoke little but with great thought behind each word.
Hailing from an artesan family where his father is currently the 4th Roseki Akazawa, it seemed befitting that he would pursue a career in the arts. Akazawa studied Japanese Painting (Nihonga) at Kyoto City University of Arts, one of Japan’s oldest and most traditional art university. After his graduation in 1995, he continued his studies in ceramics at Kyoto Municipal Institute of Industrial Research.
In 1999, he held his first solo exhibition in Kyoto exhibiting the Nightscape夜 景series. He worked on them upon return from a trip to India. Back in Kyoto, he was again reminded of how beautiful the Japanese nightscape was and set out to work on the series.
Arguably one of his best works, People’s Night and Moon人々の夜と月 (1993) depicts places and things close to his heart- the schools he studied in, friends’ houses where he hung out at, shrines and mountains that have been drawn from his hometown in Kyoto. The work is a remarkable comment on the harmonious relationship between nature seen through the vast expanse of sky and mountains and the sprawling urban landscape. Street lights lead you into the background and along the length of the painting, ever so subtly yet assertively reminding us what is man-made and what is from nature. When I saw this work, I felt the harmony that has managed to co-exist so well, particularly in the Japan that I know and now miss. In 2005, the artwork was featured on the cover of Plato’s Cosmology and Its Ethical Dimensions by Dr. Gabriela Carone. On the work, she commented, “I was struck by the intensity and depth of the painting. It seemed to capture the cosmic dimension and its integration with the human sphere very powerfully. “
Since his first solo exhibition in 1999, Akazawa has participated in group exhibitions all over Japan including several more solo exhibitions. His ceramic works have also taken him to international Biennales in Austria and Slovenia and are collected by the Museum of International Ceramics of Faenza, Italy, and Kapfenberg Museum, Austria. Back in his home country, Akazawa exhibits regularly at the annual Japanese Traditional Art Crafts of Kinki area exhibition. He has also appeared on TV and conducts workshops on Nihonga..
In 2007, he was commissioned to work on a fusuma painting 襖絵 (traditional Japanese sliding door that partitions rooms ) at Soken-ji 摠見寺 currently located at Azuchi Castle ruins in Shiga prefecture. The result of the laborious two-year project is a stunning painting of light cherry ink blossoms 薄墨桜. Videos capturing Akazawa at work reveal his sensitive and contemplative approach. Each stroke is carefully planned and gently applied. He then steps back to assess what he had just done. This is repeated again countless times with genteel patience.
Every Nihonga artist studies nature and animals as part of their academic training. In his flower series, Akazawa shows strength and mastery that can only be attained after diligently observing and sketching meticulously from nature.
Hatsuse 初瀬(Cherry tree at Hase temple, Nara Japan) is an example of attention to detail in depicting a cherry tree in bloom. Akazawa has treated each blossom meditatively and as though they were uniquely different. The end-result is simply breathtaking.
Akazawa’s recent activities centre around ceramic-making and understandably so as he has been enjoying international recognition and success with his works.
It has been a long time since that hot Summer day at his atelier. As we said goodbye, he gave me a small Nihonga painting that I have kept on every desk in every country that I have moved to. He might not have known this but for most people this side of the world, it is their first encounter with Nihonga
Akazawa’s winning ceramic works from the 57th Premio Faenza are on exhibition at the MIC (Museo Internazionale delle Ceramiche in Faenza) until September 25, 2011. Thereafter, the exhibition will travel to Japan to the Institute Italian di Cultura di Tokyo Exhibition Hall from September 2 – 23. From September 17 to October 30, his winning work, Nova, will be exhibited as part of the 12th International Ex-tempore of Ceramics Piran 2011 at Galerija Herman Pečarič.
Akazawa can be reached at his website and email.
(Eve Loh Kazuhara) (Original Text)
(Valerie Eguchi) (French translation)